teresa
cos



[DMF] KARNOFSKY’S SCORE
[FSP] WAKE ME WITH SO MUCH
[VSP] SEELONCE
 [VI] MOORE’S LAW
  [F] THE MONARCH
  [D] THIS HOUSE CAN’T FALL
  [M] WEEK NINE
 [SP] A TO B SUSPENDED
[PVI] TUNNEL BORING MACHINE
 [MI] ARCHIVE OF LOOPS
 [FI] THE MEASURE OF DISORDER
 [FI] UU
  [F] REEL TO REEL
[VSP] SI SA CHE LE PECORE
      NON SONO CARNIVORE
[VSP] AUDI, VIDE, TACE
  [F] ASTROLOGY OF A FRIDAY
[PVI] EIGHT CHAPTERS    
      IN FOUR MOVEMENTS

 [PD] IN AN ATTEMPT TO
      MEASURE A COASTLINE

 [DI] ALL ROADS LEAD TO ROME.
      YES BUT WHERE EXACTLY?

 [DI] ENSŌ


  [F] FILM
  [V] VIDEO
  [M] MUSIC
  [S] SOUND
  [P] PERFORMANCE
  [I] INSTALLATION
  [D] DRAWING



      BIO
      TIMELINE
      CONTACT
      LINKS


LI

Mark

  a to b
suspended

2020

COMPOSITION FOR ENGINE, ORGAN, WOMEN VOICES AND THE NATURAL ENVIRONMENT, 2020. PRODUCED WITH THE SUPPORT OF ARNIS RESIDENCY.

"in her work 'a to b suspended' teresa cos engages with the repetitive operations of arnis' cable ferry. based on the tonality of the engine’s droning as a csus4 her sound composition reverberates the voices of the local women’s choir and the naval church's organ. her sound performance takes place during a last journey of the ferry, however, stopping in the middle of the water and reversing speed before it reaches the other shore. teresa’s modular and shifting layers interleave the sounds of the ferry and its natural environment, evoke hypnotic sensation and play with the possibility to reverse the perception of time — a shared instant with strangers allows the intimate and public to merge.". (christian lübbert )












IMAGES FROM THE PERFORMANCE IN ARNIS; RECORDING OF THE GAUDEMUS WOMEN CHOIR; COMPOSITION SCORE.
Mark