teresa
cos



[DMF] KARNOFSKY’S SCORE
[FSP] WAKE ME WITH SO MUCH
[VSP] SEELONCE
 [VI] MOORE’S LAW
  [F] THE MONARCH
  [D] THIS HOUSE CAN’T FALL
  [M] WEEK NINE
 [SP] A TO B SUSPENDED
[PVI] TUNNEL BORING MACHINE
 [MI] ARCHIVE OF LOOPS
 [FI] THE MEASURE OF DISORDER
 [FI] UU
  [F] REEL TO REEL
[VSP] SI SA CHE LE PECORE
      NON SONO CARNIVORE
[VSP] AUDI, VIDE, TACE
  [F] ASTROLOGY OF A FRIDAY
[PVI] EIGHT CHAPTERS    
      IN FOUR MOVEMENTS

 [PD] IN AN ATTEMPT TO
      MEASURE A COASTLINE

 [DI] ALL ROADS LEAD TO ROME.
      YES BUT WHERE EXACTLY?

 [DI] ENSŌ


  [F] FILM
  [V] VIDEO
  [M] MUSIC
  [S] SOUND
  [P] PERFORMANCE
  [I] INSTALLATION
  [D] DRAWING



      BIO
      TIMELINE
      CONTACT

Mark

  karnofsky’s
score

2023

SERIES OF 18 DRAWINGS, LASER-ENGRAVED ON CARBOARD FOLDERS.
(UPCOMING) 7-TRACK CD-R, RELEASED BY FUTURA RESISTENZA.
(UPCOMING) FILM, SINGLE CHANNEL 2K VIDEO, COLOUR, SOUND, 23 MIN.
WITH THE SUPPORT OF FRANS MASEREEL CENTRUMRUPERT RESIDENCY AND CAREOF.

“laser-engraved on those folders that might otherwise contain medical paperwork, cos’s karnofsky’s scores appear as abstract drawings and their direct opposite at once. hot and cold are joined. their inspiration, the score, a ‘weapon of math destruction’ as cathy o’neil calls quantified thinking applied to very human affairs, is a pull to earth where there is no soil (read paper or canvas) left for pure formalism. the reality-bound move happens despite a sense that the artist thought about composition and color with a good amount of care, creating what she called a ‘visual poem where the score becomes notation’. These works are only as abstract as scores on cancer patients can be; they can’t and don’t escape the burdens of real life despite a critical attempt at structuring”. (piero bisello)

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SELECTED WORKS AND EXHIBITION VIEWS AT SAINT-MARTIN BOOKSHOP, BRUSSELS.

Mark