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RESIDENCIES, AWARDS
2023, THE ELEPHANT TRUST, LONDON
2023, RUPERT RESIDENCY, VILNIUS
2023, FRANS MASEREEL CENTRUM, BE
2023, GOLDSMITHS DESIGN DEPARTMENT, RESEARCH AND KNOWLEDGE EXCHANGE FUND
2023, ARTEVISIONE, CAREOF, MILAN
2020, ARNIS RESIDENCY
2020, ARTS COUNCIL ENGLAND, EMERGENCY RESPONSE FUND
2019, LONDON CREATIVE NETWORK, SPACE LONDON
2018, Q-O2 WORKSPACE FOR EXPERIMENTAL MUSIC AND SOUND ART, BRUSSELS
2018, FLEMISH COMMUNITY ARTS COUNCIL, ARTIST DEVELOPMENT GRANT, BRUSSELS
2018, MUSEUMS QUARTIER WIEN, VIENNA
2017, WIELS CONTEMPORARY ART CENTRE RESIDENCY, BRUSSELS
2016, VISIO-EUROPEAN PROGRAMMME ON ARTIST’S MOVING IMAGES, FLORENCE
2016, MAC ULSTER BANK PRIZE, METROPOLITAN ARTS CENTRE BELFAST, SHORTLIST
2013, TACITA DEAN WORKSHOP, THE BOTIN FOUNDATION, SANTANDER
2011, 95TH YOUNG ARTISTS AWARD, BEVILACQUA LA MASA FOUNDATION, VENICE
SOLO EXHIBITIONS AND PERFORMANCES
2023, KARNOFSKY’S SCORES, SAINT-MARTIN BOOKSHOP, BRUSSELS [E]
2022, WAKE ME WITH THIS MUCH, IKLECTIC, LONDON [P]
2022, INANIMATE BEINGS ALSO HAVE FINITE LIVES, KBC-BELGRADE CULTURAL CENTRE [E+P]
2021, SPETTRO, BRESCIA [P]
2020, OSCILLATION FESTIVAL, BRUSSELS [P]
2020, THE ARCHIVE OF LOOPS, CASINO LUXEMBOURG [P]
2019, TUNNEL BORING MACHINE, BB15, LINZ [E]
2019, THE MEASURE OF DISORDER, LIVE ADAPTATION, KUNSTHAL GENT [P]
2018, EIGHT CHAPTERS IN FOUR MOVEMENTS, KANAL-CENTRE POMPIDOU, BRUSSELS [E]
2018, THE MEASURE OF DISORDER, ARGOS CENTRE FOR AUDIOVISUAL ARTS, BRUSSELS [E]
2017, UU, WIELS CONTEMPORARY ART CENTRE, BRUSSELS [E]
2016, EIGHT CHAPTERS IN FOUR MOVEMENTS, CAREOF, MILAN [E+P]
2016, DRODESERA XXXVI : WORLD BREAKERS, CENTRALE FIES [P]
2013, THEY CAME AND THEY LEFT AND EVERYTHING WAS THE SAME, STELLA MCCARTNEY MILAN [E+P]
2012, THE 95TH YOUNG ARTISTS AWARD WINNERS, BEVILACQUA LA MASA FOUNDATION, VENICE [E]
[E] EXHIBITION [P] PERFORMANCE
SOLO MUSIC RELEASES
2023, KARNOFSKY’S SCORE, FUTURA RESISTENZA
2022, BROADCAST, HARD RETURN
2022, THE ARCHIVE OF LOOPS VOL.3 (ONCE UPON A TIME), SELF RELEASE
2020, OSCILLATION TAPE RELEASE #4, UMLAND/Q-02
2019, VOICE ONLY SESSION FOR HARMONISER, JAMBES
2018, THE ARCHIVE OF LOOPS VOL. 1&2, SELF RELEASE
COLLABORATIVE PERFORMANCES
W/ LIA MAZZARI
2022, CAFE OTO, LONDON
2022, SPANNERS, LONDON
2022, CUBE, BRISTOL
2022, Q-02, BRUSSELS
W/ TOM WHITE
2022, RADIOPHRENIA FESTIVAL, LIVE-TO AIR COMMISSION, CCA: CENTRE FOR CONTEMPORARY ART, GLASGOW
2021, TERESA COS/TOM WHITE, CAFE OTO, LONDON
W/ JULIA E DYCK & CAROLINE PROFANTER
2021, CAFE OTO, LONDON
2020, VOLKSROOM, BRUSSELS
W/ CAROLINE PROFANTER
2018, TERESA COS/CAROLINE PROFANTER, ARGOS CENTRE FOR AUDIOVISUAL ARTS, BRUSSELS
COLLABORATIVE MUSIC RELEASES
2021, TERESA COS/JULIA E DYCK/CAROLINE PROFANTER: WEEK NINE, TAKUROKU/CAFE OTO
GROUP EXHIBITIONS
2023, KUNSTHAUS MUENZ, CURATED BY MARGARETHE MAKOVEC AND ANTON LEDERER
2022, ARTISTS FROM THE COLLECTION, FONDAZIONE BEVILACQUA LA MASA, VENICE
2020, 3RD INDUSTRIAL ART BIENNIAL: “RIDE INTO THE SUN”, CURATED BY BRANKA BENČIĆ, GERALD MATT, KSENIJA ORELJ AND CHRISTIAN OXENIUS, PULA/LABIN/RASA
2020, SEA-CHANGE, CURATED BY CHRISTIAN LÜBBERT, ARNIS (DE)
2019, GET RID OF YOURSELF (ANCORA ANCORA ANCORA), CURATED BY LUCREZIA CALABRÒ VISCONTI, FONDAZIONE BARUCHELLO, ROME
2018, TWO WRONGS MAKE A RIGHT, CURATED BY DE IMAGERIE, HET BOS, ANTWERP
2018, ANTRHOPOLIS, CURATED BY RITA FRANK AND KAROLINA RADENKOVIC, 5020, SALZBURG
2018, RESOLVED DESIRES, DE BRAKKE GROND, AMSTERDAM
2017, COM(NU)TIES, L’ISELP, BRUSSELS
2016, OUTSIDE THE BLACK BOX, CURATED BY LEONARDO BIGAZZI, LO SCHERMO DELL’ARTE, FLORENCE
2016, MAC INTERNATIONAL, CURATED BY MARTA DZIEWAŃSKA, KATERINA GREGOS AND HUGH MULHOLLAND, THE MAC- METROPOLITAN ARTS CENTER, BELFAST
2016, TOURIST OFFICE, MARRES HOUSE FOR CONTEMPORARY CULTURE, MAASTRICHT
2016, IN SEARCH OF...PERIPHERAL PRACTICES, CURATED BY VINCENT VAN VELSEN, JAN VAN EYCK ACADEMIE, MAASTRICHT
2015, MOSTYN OPEN 19, MOSTYN GALLERY, LLANDUDNO
2014, 14TH VENICE INTERNATIONAL ARCHITECTURE EXHIBITION OF LA BIENNALE DI VENEZIA, SECTION MONDITALIA, DIRECTED BY REM KOOLHAAS, ARSENALE, VENICE
SCREENINGS
2021, ANTROPOMORPHIC TROUBLE, BY PALEKAITÈ AND ADRIJANA GVOZDENOVIC WITH VIDEO AND SOUND COMPOSITION BY TERESA COS, WHITECHAPEL GALLERY, LONDON
2021, THE MONARCH, OGR-OFFICINE GRANDI RIPARAZIONI TORINO IN COLLABORATION WITH VISIO/LO SCHERMO DELL’ARTE, ONLINE PROGRAMME
2018, REEL TO REEL, MARSELLERIA, NEW YORK
2018, REEL TO REEL, INDEPENDENT ART FAIR, BRUSSELS
2018, REEL TO REEL, INDEPENDENT ART FAIR, BRUSSELS
2018, REEL TO REEL, INTERNATIONAL SHORT FILM FESTIVAL OBERHAUSEN, PRESENTED BY ARGOS
2017, ASTROLOGY OF A FRIDAY, BUREAU EUROPA
2017, ASTROLOGY OF A FRIDAY, INTERNATIONAL SHORT FILM FESTIVAL OBERHAUSEN, PRESENTED BY ARGOS
ARTIST TALKS
2023, ABIERTO UNO, CURATED BY ESTHER GATÓN, SE10, LONDON
2022, GOLDSMITHS UNIVERSITY LONDON, DESIGN LECTURE SERIES
2020, CASINO LUXEMBOURG, IN CONVERSATION WITH KEVIN MUHLEN
2020, LUCA SCHOOL OF ARTS BRUSSELS, ZOË GRAY’S WORKSHOP
2019, ÉCOLE SUPÉRIEURE D'ART & DE DESIGN MARSEILLE-MÉDITERRANÉE
2018, SINT LUKAS ANTWERP UNIVERSITY
2018, THE CITY COLLEGE OF NEW YORK-CUNY, BECCA ALBEE’S CLASS
2018, KU LEUVEN, WENDY MORRIS’S CLASS
2015, DOING SOUNDING EXCHANGING THINKING: THE AUDITORY EXPERIENCE OF THE SOCIAL, SYMPOSIUM CURATED BY THICKEAR, ARTIST TALK, FOUNDATION B.A.D, ROTTERDAM
TEXTS AND FEATURES
2023, A MATTER OF ABSTRACTION, BY PIERO BISELLO, SAINT-MARTIN BOOKSHOP
2022, INANIMATE BEINGS ALSO HAVE FINITE LIVES, BY ZORANA ĐAKOVIĆ MINNITI, KBC-BELGRADE
2019, A TIME-ACHE, BY BEATRICE FORCHINI, DIE REFERENTIN
2019, A BRIEF HISTORY OF INVISIBILITY, BY LUCREZIA CALABRÒ VISCONTI, NERO MAGAZINE
2018, THE (IR)REVERSIBILITY OF THE THINGS EXISTING ALL AROUND US, BY HUIB HAYE VAN DER WERF, MOUSSE MAGAZINE
2018, TERESA COS EN MEER BIJ ARGOS, BY PIETER VAN BOGAER, H ART #186
2018, TERESA COS’ BINARY DECONSTRUCTIONS AND RITUAL AUDITORIES, THE WORD MAGAZINE
2016, LO SCHERMO DELL’ARTE FILM FESTIVAL, BY DAVIDE DANINOS, FLASH ART ONLINE
2016, JA JA JA NEE NEE NEE RADIO, RADIO INTERVIEW WITH FEMKE DEKKER 2016
2016, LIVE WORKS, REVIEW BY MARTINA ANGELOTTI, DOMUS WEB
2016, VAN EYCK OPEN STUDIO, METROPOLIS M, 2016, REVIEW BY ALIX DE MASSIAC
2015, ALL ROADS LED TO ROME. FINE, AND THEN WHAT? TEXT BY DAVIDE DANINOS
PUBLIC COLLECTIONS
ARGOS CENTER FOR AUDIOVISUAL ART, BRUSSELS
FONDAZIONE BEVILACQUA LA MASA, VENICE
TEACHING
2022-, MA DESIGN: EXPANDED PRACTICE, ASSOCIATE LECTURER, GOLDSMITHS UNIVERSITY LONDON
EDUCATION
2023, FOUNDATIONS OF ANALYTICAL PSYCHOLOGY, SOCIETY OF ANALYTICAL PSYCHOLOGY, LONDON
2016, JAN VAN EYCK ACADEMIE, MAASTRICHT
2010, MA DOCUMENTARY PHOTOGRAPHY, UNIVERSITY OF THE ARTS LONDON-LCC
2008, MA ARCHITECTURE FOR THE CITY, UNIVERSITY IUAV OF VENICE
2005, BA ARCHITECTURE, UNIVERSITY IUAV OF VENICE